Omnes 保留了原文本的曲线美和锐利感，并将大小调至 11。添加了许多稳定的特征，使它比以往任何时候都更适合严肃的编辑工作。包括具有八种变体的各种索引字符；图表工作和信息设计的表格数字和标点符号；真正的分子和分母数字，支持自动分数的 OpenType；一系列引人注目的箭头；扩展语言支持；以及风格集。
Omnes retains the curvature and sharpness of the original text and resizes it to 11. Many stable features have been added, making it more appropriate than ever for serious editing. These include index characters with eight variants; table numbers and punctuations for chart work and information design; real molecules and denominators, OpenType in support of automatic fractions; a series of high-profile arrows; extended language support; and style sets.
Omnes 最初被认为是一家全国性零售连锁店的品牌字体，它满足了对圆形字体的需求，既不过度矫揉造作，也不过分字面。选择性的圆角增加了微妙的纹理，并避免了“香肠形”效应，而非几何形式向 19 世纪圆形的怪诞风格致敬，这种风格出现在包豪斯清晰的视觉风格之前。
Omnes, originally considered a brand font for a national retail chain, meets the demand for circular fonts that are neither over-modified nor over-written. Selective angles add subtle textures and avoid the “salami” effect, rather than geometrically paying tribute to the strange style of the 19th century circle, which appears before the clear visual style of Bohaus.
Omnes 的中间范围是为文本使用而构建的，它在范围两端的粗细控制着更广泛的情绪，从严肃、温暖的细纹到有力、欢乐的黑体。
The intermediate range of Omnes is constructed for the use of text, which controls the wider mood at both ends of the spectrum, from a serious, warm line to a strong, happy bold type.
由 Joshua Darden 设计，由 Noam Berg、John Hudson、Thomas Jockin、Scott Kellum、Jesse Ragan、Dan Reynolds 和 Eben Sorkin 协助设计和制作，Scott Kellum、Jesse Ragan、Dan Reynolds 和 Eben Sorkin。宽度扩展由 Viktoriya Grabowska 设计，艺术指导来自 Eben Sorkin，字距调整由 ikern 设计。
Designed by
注册有任何问题请添加 微信：MVIP619 拉你进入群
打开微信扫一扫
添加客服
进入交流群
发表评论